Water puppetry  is a tradition that dates back as far as the 11th century when it originated in the villages of the Red River Delta area of northern Vietnam. Today's Vietnamese water puppetry is a unique variation on the ancient Asian puppet tradition. The puppets are made out of wood and then lacquered. The shows are performed in a waist-deep pool. A large bamboo rod supports the puppet under the water and is used by the puppeteers, who are normally hidden behind a screen, to control them. Thus the puppets appear to be moving over the water. When the rice fields would flood, the villagers would entertain each other using this form of puppet play.

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The country of Vietnam with a long history of four thousand years, the interference of many cultures, regions and ethnic groups has created a unique artistic cradle with many different types of art forms. However, the most known and loved by many people is the Cheo art form. It has become a unique type of regional theater of the Northern Delta in particular and of Vietnam in general.
Cheo art, which was born from the Northern Delta, is most commonly transported from Nghe Tinh. Cheo originates from the form of parody, folk performance since the 11th century. Cheo includes many genres such as singing, folk dance and folklore. Cheo carries the sound of witty folk proverbs close to the working life of people.
Besides, Cheo is also a humane voice full of frankness, vehemently lashing out at evil, evil upholding the values ​​of truth, beauty, and human conscience. Ancient cheo plays often have happy endings according to the Eastern tradition, which is a voice praising the love and charity between people
Since its inception, even though it has been over a decade, this art form has never seemed to lose its appeal to audiences of all ages and nationalities. There are periods when Cheo art seems to be unable to stand up anymore, but with the spiritual value it brings, it is gradually being restored and developed in order to preserve a national cultural identity.
Since ancient times, the form of rowing has been closely associated with the people. There are rowing festivals that take place all week, it becomes an indispensable spiritual dish for every family. Ancient cheo plays are often the human voice of people. Not only unmasking the feudal mandarins, evil hegemony but also promoting people's dreams, aspiration for love and happiness. Therefore, people love rowing because it is the voice of life.

Cheo plays are also stories taken from poetry. It is characterized by poetic quality, fluent writing, etc. It is the product of the process of labor and life of farmers with muddy hands and feet. The important thing for a cheo actor when standing on stage is not only dancing, but also showing the flexibility and rhythm. Dance is not abstract, conventional like other forms, but it must be associated with human life, with its birth origin.
People perform cheo not only dancing, only monologues, so they have to sing folk songs and proverbs. Cheo melody sounds very sweet, going deep into people's minds. Currently, this art form is gradually reviving and becoming familiar to many people. The proof is that in the capital and big cities, professional rowing art troupes have been established. It not only contributes to the spread of folk art but also serves the spiritual life of the people in the country.
The art of rowing today is loved by many people. It not only reflects human moral values ​​but also directs people to the perfection of personality thought. Ancient cheo plays not only touched many young audiences but also showed the intense vitality of this folk genre

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