Hãy tưởng tượng rằng Đoàn Thanh niên sắp tổ chức một cuộc thi mang tên “Niềm tự hào về quê hương của em”. Người tham gia phải chọn một điều đặc biệt ở nơi ở của họ và thuyết trình về nó. Đó có thể là một đặc sản, một đồ thủ công truyền thống hoặc một địa điểm tham quan hấp dẫn…

1. Làm việc theo nhóm và thảo luận về thứ mà các em muốn nói về.

2. Thu thập những bức ảnh từ những nguồn khác nhau hoặc vẽ tranh về thứ đó.

3. Dán những bức tranh đó lên một tấm giấy lớn.

4. Tìm kiếm thông tin về thứ đó (nguồn gốc/ lịch sử, cách làm ra nó như thế nào, những đặc trưng của nó, v…v)

5. Chuẩn bị một bài thuyết trình. Nhớ phân công rõ ai sẽ nói về phần nào.

6. Thuyết trình trước cả lớp.

Example:

Ladies and gentlemen! We are from Đông Hồ village in Bắc Ninh province.

Maybe, many of you here will think of Đông Hồ paintings when hearing the name of our hometown.

So, today, we are very honoured to introduce you about the exclusive handicrafts in my village, Đông Hồ paintings.

In the first part, let us speak about their history and origin.

This traditional painting form originated in our Đông Hồ village.

It was started by farmers and dates back to the Lê dynasty in the 16th century.

At that time, the paintings were made exclusively by hand, showcasing both the cleverness and patience of the artisans.

Dong Ho paintings may seem simple enough, but the process of making them is surprisingly complex and laborious.

There are multiple stages, starting from sourcing the ingredients to the actual printing process, which is said to be the most difficult task.

So what is special about this art form?

All of the paints are produced from natural materials: black from burnt bamboo leaves, green from Cajuput leaves, yellow from senna flowers, white from powder of egg shells, and red from powder of red gravels.

They are normally limited to the five basic colours that were once described in literature:

In Dong Ho paintings, chickens and pigs are lively

The national colours shine bright on the điệp paper

Traditionally, Đông Hồ paintings are an essential element in every Vietnamese family during the Tet holiday.

They always transmit a deep message through the pictures and stanzas that are usually inscribed in the corners.

In this way, they show the artists’ opinions towards life and strive to convey pieces of everyday wisdom.

The colourful tones and optimistic content of the images liven up the house and they are considered a good luck sign for the family in the New Year.

Thus Đông Hồ paintings have other names like Tết paintings or spring paintings.

That’s all about our presentation today. We hope that it gives you a deeper insight into Đông Hồ paintings.

Thank you for your attention!

Nhớ tick cho mình nhé!!!!!!

Vinh Phuc Silk Village

Hello, my name is Vy. And on behalf of group 4

Today I will make a speech about my local product. As you know I live in Van Phuc silk village, it’s such a normal to talk about my village’s specialty which is ao dai. And all the prompt here I have an extravagant collection of ao dai worn by a plenty of beautiful girls.

The Vietnamese “ao dai”, the long gown worn with trousers by Vietnamese women, has become the symbol of the Vietnamese feminine beauty, and the pride of the Vietnamese people. This national pride culminated in 1995 when Miss International Pageant in Tokyo gave ít Best National Costume

award to the Vietnamese representative Truong Quynh Mai. Even before such international recognition, the Ao Dai had long been the source of inspiration of artists and poets.

The word “ao dai” was originally applied to the outfit worn at the court of the Nguyen Lords at Hue in the 18th century. This outfit evolved into the “ ao ngu nhan”, a five-paneled aristocratic gown worn in the 19th and early 20th centuries. Inspired by Paris fashions, Nguyen Cat Tuong and other

artists associated with Hanoi University redesigned the “ngu than” as a modern dress in the 1920s and 1930s.